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Four hands

Piano four-hands was more than a musical genre in the nineteenth century: it was an act of sociability just as much as a means of propaganda and teaching. And for publishers, it was lucrative and profitable. How many people realise that Wagner's operas first arrived in Paris in that form, or that, for many aristocrats, “four hands” represented the possibility of approaching great personalities of the music world? The practice gave rise to a wide diversity of formulas: arrangements of operas, pieces for children, dance music or ambitious sonatas. From the brilliant variations written by Henselt, Moscheles and Chopin to the humorous quadrilles of Chabrier and Messager; from the skilful sonatas of Boëly, Onslow and Gouvy to the “scènes d’enfants” composed by Fauré and Ravel, a century of intimacy and amazing encounters was expressed through a repertoire in which transcription for orchestra, in the case of Chabrier's España or Ravel's La Valse, sometimes had the appearance of a virtuosic tour de force.

Videos

Four Hands - Roberto Prosseda & Alessandra Ammara

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