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Chamber Music in Europe (1850-1918): Composition, Mediation and Reception

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Couv Chamber MusicBook in English edited by Catrina Flint de Médicis and François de Médicis, Turnhout : Brepols, 2024. With the collaboration of the Palazzetto Bru Zane.

This volume invites its readers into the highly varied world of chamber music composition, performance, and reception from England to Croatia, by way of the Czech lands, Italy, and France. It highlights ways in which the chamber music repertoire might engage in political or diplomatic issues, in chapters by Fenton, Kahan, Sà, and Thomason. The role of women in this genre of music also has a place this collection, bringing to light performances by all-women string quartets (November), and exposing the ethos of Marguerite de Saint-Marceaux’s salon (Perrault). Societies devoted to works in this genre flourished throughout Europe during the time period in questions: here authors reflect on the workings of these groups and the nature of their performances in Prague (Bunzel) and Zagreb (Katalinić). Cultural transfer also has its place in these pages, across the English channel with Reiβfelder’s work on French chamber music composers in England, and from center to periphery in Branda’s exploration of Dvořák’s ‘Farewell’ tour. No volume on that most intimate of Romantic genres would be complete without a deep dive into musical style. Style, structure, and the Beethovenian legacy come to a head in two, in-depth studies of Franck’s chamber music (de Médicis and Strucken-Paland) while questions of a ‘late’ or ‘mature’ compositional style — a sacrosanct ideal connected to Beethoven — a re held up for scrutiny in the music of Saint-Saëns (Deruchie) and Dvořák (Campo-Bowen).

Centro Studi Omnia Opera Luigi Cherubini Brepols

Contents 

François de Médicis and Catrina Flint de Médicis – Introduction

Within, Around and Beyond the ‘Beethovenian’ 

Christopher Campo-Bowen – Antonín Dvořák’s String Quartets Opp. 105 and 106 and the Question of Late Style 

Andrew Deruchie – Saint-Saëns’s Second String Quartet and the Art of Composing ‘Oldly’ 

Christiane Strucken-Paland – César Franck: The String Quartet at the Nexus of Tradition and Innovation 

François de Médicis – The Franck Quintet: Dramatic Character, Style, and Relationship to the Beethoven Instrumental

Tradition 

Nancy November – Challenging Tradition: All-Female String Quartets of the Late Nineteenth and Early Twentieth Centuries 

Sylvia Kahan – Reportage of Chamber Music in the Paris Daily Papers, 1860-1914

Isabelle Perreault – Constructing and Re-Mediating the Ethos of a Music Lover: The Case of Marguerite de Saint-Marceaux 

Kathryn M. Fenton – The Musical Art Quartet, Alice Warder Garrett, and American Musical Diplomacy in the Early Twentieth Century

Chamber Music and Nationhood 

Eva Branda – Evaluating Dvořák’s ‘Niche’: The 1892 Farewell Tour, the Dumky Piano Trio Op. 90, and Perceptions of Dvořák as Chamber Music Composer 

Anja Bunzel – Czech Song, Jan Ludevít Procházka, and the Salonesque Musical Entertainments in 1870s Prague 

Vjera Katalinić – «Die edelste und küstlerischeste aller Kunstformen»: The Committee for the Promotion of Chamber Music — A fin-de-siècle Initiative in Zagreb 

Hélder Sá – Chamber Music 1850-1918: Violin and Chamber Music in Lisbon in the Early Days of the Republic

National Identities and Cultural Transfer 

David Reißfelder – Modern French Chamber Music in Britain and César Franck 

Geoff Thomason – Chamber Concerts for Champagne Socialists: Quartets and Contradictions at Manchester’s Ancoats Brotherhood at the End of the Long Nineteenth Century

Œuvres en lien

Personnes en lien

Compositeur, Organiste, Pianiste, Journaliste

Camille SAINT-SAËNS

(1835 - 1921)

Compositeur, Organiste, Pianiste

César FRANCK

(1822 - 1890)

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date de publication : 04/12/24