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L'École de violon franco-belge de Viotti à Ysaÿe

Date of the symposium:
9-11 juillet 2012

Partenaire

Colloque organisé du 9 au 11 juillet 2012 au Centre d’art moderne et contemporain de La Spezia (Italie) par le Centro Studi Opera Omnia Luigi Boccherini en collaboration avec le Palazzetto Bru Zane et la Società dei Concerti (La Spezia).

L’Italien Giovanni Battista Viotti (1755-1824), en s’installant à Bruxelles puis à Paris (où il fut un temps au service de Marie-Antoinette), a durablement marqué les grands violonistes de ces deux villes : Pierre Baillot, Pierre Rode, Rodolphe Kreutzer, François-Antoine Habeneck, Delphin Alard et Charles Dancla en France ; André Robberechts, Charles de Bériot, Henri Vieuxtemps et Lambert Joseph Massart en Belgique. Ce colloque international sera composé d’études sur cette « école » qui se prolonge, au travers d’Eugène Ysaÿe notamment, jusqu’à la fin du XIXe siècle : techniques de jeu, méthodes d’enseignement, facture instrumentale, rayonnement de ses interprètes et influences extérieures (en particulier celle de Niccolò Paganini, présent à Paris au début des années 1830).

Comité scientifique : Andrea Barizza, Alexandre Dratwicki, Lorenzo Frassà, Roberto Illiano, Fulvia Morabito, Renato Ricco, Massimiliano Sala, Renata Suchowiejko

Publication liée
Ad Parnassum 11/21 (2013)

Programme

Keynotes

David Milsom – The ‘Franco-Belgian’ School of Violin Playing: Towards an Understanding of Chronology and Characteristics, 1850-1925

Renata Suchowiejko – « Toutes les passions rapprochent les hommes ». Le jeu du violon en tant qu’art oratoire et langue des sentiments

Nicolò Paganini e la scuola franco-belga

Renato Ricco – Virtuosismo e rivoluzione: Alexandre Boucher

Rohan H. Stewart-Macdonald – Approaches to the Orchestra in Paganini’s Violin Concertos

Danilo Prefumo – L’influenza dei Concerti di Viotti, Rode e Kreutzer sui Concerti per violino e orchestra di Nicolò Paganini

L’influenza della scuola franco-belga sul violinismo europeo e d’oltreoceano

Camila Frésca – A Violin Genre in Brazil: The Franco-Belgian School and the Development of the Violin as an Autonomous Instrument

Ana Luque Fernández – Franco Belgian School Influences in the Writing of Violin Etude Collections in Spain: Monasterio, Manén, and Quiroga

Diane Oliva – Madame Louise Gautherot: An Emissary of Viotti’s Violin School in England

Uliana Drugova – L’approche pédagogique de Lucien Capet, et son rayonnement en Amérique à travers la figure d’Ivan Galamian

Compositori, liutai e mecenati

Melissa L. Khong – A “Neo-Beethovenian” Approach? Guillaume Lekeu and the Revival of the Beethovenian String Quartet

Mariateresa Dellaborra – Viotti-Fétis: quartetti a confronto

Sylvia Kahan – Sewing Machines and Strads: The Curious Case of Victor Reubsaet, “Duc de Camposelice”, 19th-Century Music Patron

Christina Linsenmeyer – «Lutherie artistique» and Inventing the Tradition of Stradivari

Olivier Fluchaire – The French School of Bow-Making in Mirecourt and Paris from François Xavier Tourte to Bernard Ouchard

La tradizione di bravura belga

Fabrizio Ammetto – L’opera violinistica del virtuoso belga Alexandre-Joseph Artôt

Peter François – Belgian Virtuosos on Tour. The Spread of the Techniques of the 19th-Century Belgian Violinists and Cellists Through Their Compositions and Travels

Jessika Rittstieg – Towards an Elucidation of Eugène Ysaÿe’s Aesthetic Persona

Ray Iwazumi – The Legacy of Eugène Ysaÿe Reflected through the Unpublished Markings in Printed Scores of Violin Works belonging to His Students

Violinisti parigini

Étienne Jardin – Les violonistes en concert à Paris (1822-1848)

Il repertorio pedagogico per violino

Cécile Kubik – Des méthodes pédagogiques inédites comme contribution à la connaissance interprétative du XIXe siècle violonistique français

Diane Tisdall – Back to Basics: The Selection of Violin Pedagogical Repertoire at the Paris Conservatoire

Walter Kreyszig – Charles-Auguste de Bériot’s “beau art” as Key to His Founding of the Franco-Belgian Violin School: On the Relationship between Violin Pedagogy and Compositional Practice

Tecniche violinistiche

Philippe Borer – «Régime libre» vs. «régime contraint»

Carol Lieberman – Vibrato and the Franco-Belgian Violin School: A Lecture Demonstration

Baillot e la scuola franco-belga

Anne Penesco – Baillot et l’École franco-belge de violon : tradition et modernité

Fabio Morabito – The ‘Genius of Performance’ and the String Quartet Concert: Pierre Baillot’s Markings in the Chamber Music by Cherubini and Beethoven

Maria Teresa Arfini – Il ruolo dell’interprete nella riscoperta della musica antica: Pierre Baillot e la musica strumentale di Johann Sebastian Bach

Programme

Related persons

Composer, Violinist

Giovanni Battista VIOTTI

(1755 - 1824)

Composer, Violinist

Pierre BAILLOT

(1771 - 1842)

Violinist, Composer

Pierre RODE

(1774 - 1830)

Composer, Violinist

Rodolphe KREUTZER

(1766 - 1831)

Conductor, Composer, Violinist

François-Antoine HABENECK

(1781 - 1849)

Composer, Violist, Violinist

Delphin ALARD

(1815 - 1888)

Composer, Violinist

Charles DANCLA

(1817 - 1907)

Composer, Violinist

Charles-Auguste de BÉRIOT

(1802 - 1870)

Composer

Henri VIEUXTEMPS

(1820 - 1881)

Violinist

Lambert Joseph MASSART

(1811 - 1892)

Composer, Violinist

Niccolò PAGANINI

(1782 - 1840)

Conductor, Composer, Violinist

Eugène YSAŸE

(1858 - 1931)

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