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Discover studies in Bru Zane Mediabase

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Articles

The 'baritone' Werther: why awaken him?

Articles

The Abencerrages: between history and legend

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The different versions of Cinq-Mars

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The fantastic genre at the Paris Opéra under Napoleon I

Symposia

The Fantastic in French Romantic Opera

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The first performances of Amadis de Gaule

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The genesis of Le Timbre d’argent

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The genesis of Les P’tites Michu

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The imaginary Middle Ages of the opera house: when the Jacques were honest fellows

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The last opera of Saint-Saëns: Déjanire

Symposia

The Many Faces of Camille Saint-Saëns

Publication

The Many Faces of Camille Saint-Saëns

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The many musical worlds of Félicien David

Symposia

The Miraculous in French Baroque Opera

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The misfortunes of La Princesse jaune

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The music of Le Pré aux clercs

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The origins of La Vie parisienne

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The other Faust

Symposia

The performance of opera from the late 19th century to the early 20th century: from libretto to staging

Symposia

The performance of opera from the late 19th century to the early 20th century: from score to performance

Articles

The Péricholes of Offenbach, and Marc Minkowski’s version

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The Prix de Rome for music (1803-1968)

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The Promised Land : le testament d’un musicien anglophile

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The reception of Dimitri in the press

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The reception of Herculanum din the contemporary press

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The reception of Le Tribut de Zamora

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The Roman theatre of Orange before Les Barbares

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The Romantics and the St Bartholomew’s Day Massacre

Symposia

The Sound of Empire. Soundscapes, Aesthetics and Performance between Ancien Régime and Restoration

Symposia

The sources of french musical romanticism

Articles

The Spanish amours of the Second Empire

Symposia

The String Quartet from 1750 to 1870: from the Private to the Public Sphere

Symposia

The théâtre musical léger in Europe: From the Operetta to the Music-hall

Articles

The Théâtre-Italien de Paris at the time of Fausto

Articles

The Villa Medicis at the time of Ingres

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The visual aspects of Le Mage